Men's Silver Rings — STRUGA Guide to Choosing Size, Weight and Style

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Men's Silver Rings — A Buyer's Guide

A men's silver ring isn't "almost-gold" or a placeholder until you can afford platinum. It's its own category with its own logic: mass, relief, patina, architecture of form. Sterling silver in men's rings works differently than in women's pieces — here weight matters, the profile matters, the legibility of geometry on the finger matters.

At STRUGA, men's rings make up half the catalogue. We've been making them since 2018, cast and finished by hand at our Bali workshop. We don't rhodium-plate them. We leave the metal alive. This guide is about choosing a ring that will work on your hand for decades, not sit in a drawer for a year.

TL;DR

- A STRUGA men's silver ring = 925 sterling silver, 10–25 grams, hand-finished at our Bali workshop.

- No rhodium, no mirror polish on the final pass — the finish is Living Silver. The metal darkens with wear and records time.

- Five families anchor STRUGA's men's rings: Brutalism (massive, architectural), Blade (industrial), Thorn (sharp forms), Signature Asymmetric (the recognisable asymmetry), Signature Heart.

- The dark side is its own territory — see the guide to dark silver.

- Stones and materials: black tourmaline, spinel, Seymchan meteorite slice, Aged Copper, Graphite carbon fiber.

- Matched wedding bands — the Dark Union service, 3–6 weeks.

- Non-standard sizes, engraving, bespoke design — Custom Order.

Why men choose silver over gold

The old logic was simple: gold for women, gold for men — same gold, just thicker and without stones. Yellow, smooth, heavy, visible. If a man wore a ring, it was almost always a wedding band or his father's signet. A ring of his own choosing — that wasn't really an option.

Over the last fifteen years, that broke. Silver came back into men's wardrobes not as "the cheap alternative to gold," but as a material with its own character. And that character is fundamentally different.

Gold is the material of stability. It doesn't darken, doesn't react to sweat, doesn't change with wear. A ring bought at 25 looks the same at 45. That's its promise and also its ceiling: gold doesn't record time. It stays a decorative metal that you wear on top of your life, not alongside it.

Silver works differently. It reacts to air, to skin, to water, to friction. Recesses darken, raised surfaces polish themselves against a shirt cuff, and after a year the ring doesn't look "like new" — it looks like yours. That's what we call Living Silver — silver that isn't sealed under rhodium and lives together with its owner. For a deeper read on how dark silver behaves on the hand, see our separate guide.

Then there's the aesthetics. Yellow gold on a man's hand always reads as a status statement: "I can afford gold." Silver makes no such statement. It reads as a choice of material — industrial, cold, graphic. Next to a leather jacket, a black sweater, a tattoo, the worn steel of a watch case — silver rhymes. Gold next to that looks foreign.

And the final reason — mass. A good men's ring weighs 15–25 grams. In gold, that ring costs as much as a small car and is physically heavy for daily wear. In 925 sterling silver the same volume stays accessible and light enough that you don't take it off at night. That's what makes architectural forms possible — Brutalism, Thorn — shapes that simply wouldn't make sense in gold.

Silver for men today isn't a compromise. It's the first choice for those who care about the material, not the price per gram.

A short history of the men's silver ring

A ring on a man's hand is older than jewelry as fashion. It began not as an accessory but as a tool.

The signet ring. In Mesopotamia, Egypt, later in Greece and Rome, men wore a ring set with a carved stone or metal matrix and used it to seal letters, contracts, amphorae of wine. The signet was signature, password and status marker in one — without it, no document could be closed. That function survived in European aristocracy well into the 19th century: the signet ring was passed down the male line and still pressed wax onto envelopes.

Rings on the thumb. Across warrior cultures — from the Scythians to the Mongols and the Turks — men wore a heavy ring on the thumb of the right hand. For archers it was functional: it protected the thumb when drawing the bowstring. For everyone else it became a sign of rank and belonging.

Tribal and ritual rings. Silver, as a material, worked in a ritual register almost everywhere people learned to melt it — among the Baltic tribes, in the Caucasus, in Southeast Asia, among the Bedouin. Massive rings with rhombuses, crosses, spirals, rough stones — a whole anthropological layer of its own.

The 20th century — the comeback. Silver rings returned to mainstream men's culture through rock and punk. Keith Richards with his skull ring by Courts and Hackett, bikers with heavy cast rings, the gothic scene of the eighties with its weighty crosses. This was no longer a signet, no longer a status object — it was a badge of counterculture.

The brutalist renaissance. In the nineties Chrome Hearts set the template: heavy sterling 925, gothic forms, an oxidized finish, massive architecture. Out of that school, from the 2010s onward, came a whole generation of independent brands — we are one of them. More on this wave in our breakdown of Chrome Hearts alternatives. Today's men's silver ring is heir to all five traditions at once: the signet, the warrior's ring, the tribal sign, the rock attribute, and the brutalist architecture.

Five criteria for choosing a men's ring

Choosing a men's ring comes down to five parameters that work together. Weight, fit, proportion to the hand, alignment with your wardrobe, and intent. If even one of them is ignored, the ring either doesn't get worn, or doesn't get worn the way you wanted.

1. Weight. The working range for a men's ring is 10–25 grams. Below 10 grams sits in women's or unisex territory — the ring feels weightless and gets lost on a larger hand. Above 25 grams becomes a sculpture that's hard to wear daily: the finger tires, the ring gets in the way when you make a fist, hold the wheel, type on a keyboard. Most of our men's pieces fall in the 14–20 gram range — weight you feel without getting fatigued. Brutalism rings sit at the upper end; Blade and Signature Asymmetric live in the middle.

2. Fit and comfort. The inner surface matters more than the outer one. A sharp inner edge will chafe over the course of a day, even on a beautiful ring. On all of our rings the inner edge is rounded during finishing. The size should sit loose: your finger changes by half a size between morning and evening, and another half-size in heat. If the ring fits snugly in the showroom, it won't go on the next morning. Go up by a quarter to half a size, especially for wider profiles — at 4 mm and above you feel the inner surface much more than at 2 mm.

3. Proportion to the hand. A thick finger needs mass — a thin band on it looks like a wedding ring borrowed from someone else. A thin finger calls for restraint — a heavy Brutalism piece looks like it belongs to another person. Simple rule: the width of the ring shouldn't visually exceed the width of the phalanx beneath it. When in doubt, try it on in front of a mirror, not at the counter.

4. Alignment with your style. The ring should rhyme with what you actually wear day to day. A dark palette, leather, wool, monochrome — this is the territory of dark silver. Light linen, suits, classic tailoring — open silver without oxidation works here. Mixed wardrobes call for neutral families like Signature Asymmetric.

5. Intent. Statement or everyday. A statement ring is one per hand, massive, readable from two meters away. An everyday ring is the one you take off once a year: quieter in form, more comfortable in fit, calmer in silhouette. These two jobs are rarely done by the same ring. Knowing which one you're actually buying saves both money and regret.

Sterling silver 925 for men: what to know about the metal

Sterling silver 925 is an alloy: 92.5% pure silver and 7.5% other metals, most often copper. Pure silver (999 fine) is rarely used in jewelry — it's too soft, bends under the weight of your own hand, scratches against any surface. Those 7.5% of copper give the alloy enough strength to hold its shape through daily wear instead of going oval within six months.

This formula is the global standard for jewelry-grade silver. The UK fixed it back in the 12th century — that's where the name "sterling" comes from, after the sterling coin. The US adopted it in the 19th century, and Europe works to the same composition. When you see "925" stamped inside a ring, it means exactly that proportion, verified by the assay office of the country of production. Our pieces are always hallmarked; for how to check 925 authenticity on someone else's piece, see our how to verify 925 guide. The full technical breakdown of the standard is in the 925 sterling silver guide.

The copper isn't a flaw — it's a feature. It's what determines how silver behaves over time. Copper oxidizes faster than silver, and on contact with air, sweat, and skin oils it produces that characteristic patina: graphite in the recesses, a warm shadow along the edges. The higher the share of pure silver in the alloy, the slower a piece darkens; the higher the copper, the more active the process. 925 is the equilibrium point — strong enough for daily wear, while keeping that "living" surface behavior. For more on why we don't suppress this process with rhodium, see our piece on dark silver.

For men's rings, 925 also works well by weight. Silver's density is around 10.5 g/cm³ — half that of gold (19.3) and noticeably denser than steel (7.8). In practice, a substantial ring of 18–22 grams reads as a real object on the finger, but doesn't drag your hand down by the end of the day. Gold of the same volume would be markedly heavier — and not every hand is ready for that as daily wear.

Dark silver in men's rings

If a man wears one ring, and wears it every day, that ring comes in three possible surface states: bright polished silver, rhodium-plated silver, and dark silver. On a man's hand, the third option works better than the other two — and not for fashion reasons, but for physical ones.

Bright polished silver on a large men's form shines like a mirror and pulls in every light in the room. That's fine for a thin minimalist band, but it's bad for a massive 15–20 g signet: the shine visually flattens the form, the relief reads worse, and next to the matte steel dial of a watch or matte cufflinks the ring drops out of the ensemble — it looks like the only "dressed-up" piece on the hand. Rhodium-plated silver behaves the same way, plus it looks identical a year later.

Dark silver removes that problem. The surface isn't a mirror but a matte body with patina in the recesses and lighter raised planes. Light on it works with the form, not against it: edges, chamfers, geometric breaks read directly. On a man's hand — with hair and visible veins — a dark ring settles into a natural contrast. It doesn't glow separately from the hand; it's in the same tonal range as the hand. The watch, cufflinks, belt, bracelet — everything that's usually dark and matte — starts working with the ring in one palette instead of competing with it.

In practice it looks like this. On most STRUGA men's rings — especially in the Brutalism and Thorn families — the patina is built in from day one: the recesses are dark from the moment you receive the ring, while the raised areas are left open to keep living. This is our Living Silver finish: no rhodium, no protective lacquer, sterling 925 left open. After 2–3 months of daily wear, the raised planes polish themselves through friction against the keyboard, the steering wheel, door handles, and the ring settles into its steady-state phase — deep graphite in the relief, a warm restrained glow on the edges, visible mass.

That's the core difference from everything else in the category: the ring records how you live, instead of hiding it under "new".

STRUGA families for men's rings

The brand has five core design families, and each one contains rings that men wear as everyday objects. Family names stay in English across all locales — this is brand naming, not subject to translation.

Brutalism

The heaviest, most architectural rings in the catalogue. Developed in collaboration with an architect, drawing on Soviet brutalism — mass, concrete, right angles, planes meeting head-on. Two versions exist: V.1 — open geometry in light silver that darkens with wear, and V.3 — finished dark from day one, with relief that reads immediately. This is the brand's central men's piece: 18–25 g of metal on the finger, visible thickness, tangible weight. Inside Brutalism lives a separate line, Suprematism, where Malevich's suprematist cross appears as an invisible depth in the pattern.

Blade

The family started with a chain link — two halves joined by copper pins, sharp edges and planes as if cut from sheet stock. The Blade DNA carries over to the rings: flat, even profiles, an edge running the perimeter, a visible technogenic assembly. Dark silver settles into the seams and underlines the pin — the piece reads as an industrial object. These are our most "urban" rings: built for people who wear all black, monochrome, technical fabrics, dark fashion.

Thorn

Sharp, spiked, angular forms. The Thorn ring is where the family meets Brutalism: sharp spikes over architectural mass, reading on the finger as a single ritual object. Stacked with Brutalism V.1 or V.3, Thorn locks in tight — the result is one large structure across three vertical levels. The Big Thorn Bracelet — the brand's first rigid cuff — rhymes with this stack on the wrist. Thorn is our most "ritual" family, and dark silver is its natural finish.

Signature Asymmetric

The brand's most recognisable form. The asymmetric silhouette — one side rounded, the other angular — recurs across pendants, clasps, links, rings and ear cuffs. On a man's finger, Signature Asymmetric reads graphically: patina on one side, polished plane on the other, the volume visible even in a flat photograph. A ring that works as a signature — never dominant, always identifiable.

Signature Heart

The STRUGA heart, reinterpreted: rounded on one side, angular on the other. On a man's finger this works as Solid Heart — heavy, completely filled, 14–18 g in mass. At that volume the form stops being "decorative" and becomes sculptural — a heart as a heavy object, not a symbol. Dark silver on Solid Heart softens the sharp edges and underlines the weight at the same time: a ring with patina looks as if it's already been worn for years.

All five of these families are available in light silver and with a dark finish; any of them can be ordered as a Custom Order sized and shaped to you.

Stones in men's silver rings

A stone in a men's ring works differently than in a women's. A clear faceted crystal off a display case rarely belongs here — it reads as "jewelry" in the bad sense of the word, as decoration. A men's ring with a stone works when the stone is a material with character, not sparkle. A mineral that has weight, texture, history — one that rhymes with silver rather than argues with it.

Black tourmaline (schorl). The most frequent stone in our men's pieces. We work with raw, untreated crystals — natural facets, no polish, matte black surface, visible structure. On dark silver, tourmaline reads as a continuation of the metal in a different material — no seam, nothing decorative. The Thorn family is often built around schorl.

Black spinel. Dark, dense, with deep glass-like luster. Used faceted, but the cut stays simple — cabochon or a large cushion, no diamond scatter. Spinel differs from tourmaline in that it reflects light — it has a shine, but a cold one, not "cheerful." Works well in rings with accent geometry where you need a single point of focus.

Seymchan meteorite slice. A pallasite 4.5 billion years old — an iron-nickel matrix with olivine grains and a Widmanstätten pattern revealed by etching. Not just a stone but a fragment of material older than Earth itself. In a men's ring, a Seymchan slice makes the piece one of very few in the collection — and a year on, the silver around it darkens while the slice itself stays bright, the pattern as visible as on day one. Full details on the material and process in the guide Seymchan / meteorite jewelry.

Raw aquamarine. A cool blue stone in its rough form — uncut, matte-surfaced, with visible internal fractures. On dark silver it reads as contrast — cold against the warmth of graphite. We use it rarely, in one-off rings made through Custom Order.

Aged Copper. Not a stone, but a separate material — aged copper that runs alongside silver in Big Line Aged and Signature Asymmetric Aged. On a ring, copper gives a warm spot inside the cold silver mass and over time develops its own patina — green-brown, distinct from the silver's.

The general principle: stones in men's rings aren't "ornament" but structural elements. If a stone doesn't carry meaning, it's better left out.

Living Silver finish for everyday wear

Most mass-market silver in retail is rhodium-plated — a thin layer of platinum-group metal that shields the surface from tarnish and makes it brighter. The logic behind rhodium is simple: the piece should look "showroom-fresh" a year, two years, five years in. The downside is just as simple: rhodium wears off at friction points — the inner band, the upper edges of the ring, the corners. First yellow patches show through, then gray ones, and eventually the piece goes back to a jeweler for re-plating.

STRUGA uses no rhodium. Every piece we make is sterling 925 left open, with no protective layer on top. We call this approach Living Silver finish — silver that's alive. The idea is that silver as a material knows how to change on its own: recessed areas slowly darken from air and skin oils, raised planes stay bright through friction, and the relief reveals itself more strongly over time than on day one. A year in, the ring looks richer than it did the day you got it. Two years in, it's literally "yours" — it follows the habits of your hand, laying dark shadows exactly where you touch it least.

On men's rings this process is especially pronounced, because men's wear is usually harder than women's. Hands at work, at the gym, on the wheel, on the keyboard, underwater. If a man works with his hands, patina builds faster and more evenly — the ring settles into a stable tone in 4–6 weeks. With quieter, office wear, the process takes 2–3 months, but the patina pattern comes out finer and more contrasted, because the friction is more localized.

The bottom line is simple: with dark silver, a year in, a man has a ring with a history — not a preserved object kept in a box. More on the principle in our piece on dark silver.

Sizing and weight: how a men's ring should sit

Ring size in the metric system is the internal diameter in millimeters. The most common men's sizes run from 17 to 23, which corresponds to a finger circumference of roughly 57–72 mm. Below 17 you're in slim or women's territory; above 23 means a large hand or a thumb ring. Country scales differ: a metric 19 is a US 9 and EU 59. Every product page in the STRUGA rings catalog includes a conversion table, but if the ring is a gift — write to us and we'll work it out together.

One practical rule matters most. If you're between two sizes — go up by half. A finger changes through the day: thinner in the morning, wider by evening, noticeably larger in heat, smaller in cold. A heavy ring that fits "snug" in the showroom becomes a problem on an August evening. Half a size of margin solves this without sacrificing the fit.

The internal profile of the ring is called comfort fit — a slightly rounded inner edge. Not flat like cheap casting, but chamfered so the metal slides over the finger when you put it on and doesn't dig into the skin when you make a fist. All our rings come with comfort fit by default — it's a baseline part of the hand-finishing at our Bali workshop.

By weight, STRUGA men's rings fall into three categories.

Light (6–10 g). Width 3–5 mm. On the finger it feels like something you're used to — you forget you're wearing it. Works well in a stack, works well as a wedding band.

Medium (10–18 g). Width 6–10 mm. You feel the weight on the finger, but it doesn't get in the way. The default format for men's daily wear — most pieces in Blade and Signature Asymmetric sit here.

Heavy (18–30 g). Width 10+ mm, massive architecture. You feel this ring constantly — that's the point. The Brutalism family lives here: the mass is the statement.

If you already own a ring that fits perfectly — measure its inner diameter with calipers and send us the number. It's more accurate than any paper sizer.

Stacking Men's Rings

Stacking means wearing several rings on one hand at the same time, deliberately composed into a single look. For women it's been the norm for a while; for men it's still rare — but men's hands, with their mass and finger proportions, actually read stacks very well.

The base logic comes down to two strategies.

Single statement. One large architectural ring, the rest of the fingers empty. This is the play for Brutalism and for the heavier rings from the RITUAL world. When you have 18–25 grams of silver concentrated in one spot, nothing else belongs nearby — a second ring would break the silhouette. This works strongest in the evening, in dark clothing, when the entire visual weight is given to the hand.

Stack of 2–3. Two or three thin rings across different fingers, tied together by a single formal language. The principle is what matters: either all from the same family (three thin Blade rings on index, middle and pinky), or a contrast within one palette — a Blade on the index plus a Thorn on the pinky. In dark silver the stack reads denser: the patina binds the rings into one object.

The thumb + index combination is the strongest men's stack. The ring on the thumb gives mass, the ring on the index gives line, and between them the hand reads as architecture.

From our ready pieces, the thin Blade profiles, Big Line with copper spacers, and the slim version of Thorn all work well in a stack. For a non-standard size or a custom-built combination, there's Custom Order. Day mode — the stack; evening mode — strip everything off except one. That's the working rhythm.

Wedding Bands — Dark Union

A man's wedding band is the longest-worn piece of jewelry in his life. It doesn't come off at night, doesn't get tucked into a box under the suit, doesn't get picked "to match the look." It lives on the hand for decades — at work, in the gym, in water, in cold, under a shirt cuff and under a glove. Which means it follows a completely different design logic than any other ring in your collection.

Most men who come to us for a wedding band start with one sentence: "I don't want plain yellow gold." From there the conversation moves to material, profile, width, inner surface. And almost always — to wanting something that will outlive the wear, not be worn down by it.

The Dark Union service is bespoke matching bands, 3–6 weeks, shipped worldwide. You can choose:

  • profile and width — from a narrow 4 mm band to architectural 8–10 mm Brutalism;
  • inner surface — comfort fit (rounded, so the ring disappears on the finger) or flat;
  • depth of oxidation — from a barely-there patina to deep, dark geometry;
  • engraving — dates, initials, coordinates, symbols; engraving reads deeper in dark silver;
  • inlays — raw tourmalines, Seymchan slices, accents in Aged Copper.

The principle behind Dark Union: matching bands should not look identical a year in. Two people live at different rhythms, and silver records that — each ring develops its own patina. That is the point of wearing it: to read time in the metal, not status.

Custom Order for non-standard sizes and shapes

Our standard men's ring range runs from US 8 to US 12.5. That covers roughly 85% of requests — most men's fingers land between US 9.5 and 11.5. But some don't fit that range: large hands at US 13–14, narrow fingers around US 7, thumb rings, pinky rings. For all of these, there's Custom Order.

Custom Order isn't just "make it in my size." It's a full re-build of the piece around one specific person. What's included:

  • Size outside the standard range — from US 7 to US 14, including half sizes. We measure from an existing ring or through a printed template.
  • Inner engraving — dates, initials, coordinates, short phrases. Deep enough to still read after ten years of wear. On dark silver, the contrast is especially sharp.
  • Material swap — a ring from the Brutalism family with an integrated Seymchan slice, a Blade ring with an Aged Copper accent, Thorn with rough tourmaline or aquamarine.
  • Proportion changes — narrow a massive ring for a slimmer finger, or add weight to a lighter profile.
  • Fully custom shape — built from a conversation and sketches.

Lead time is 4–8 weeks depending on complexity. Wedding bands run on a separate track through Dark Union.

I personally consult on every non-standard men's ring. That's not a marketing line — it means that before the workshop begins, you and I go through the sketch, the size, the weight, the finish, the patina tone. Custom Order is the only way to get a ring made for your hand, not for an average one.

Where to buy STRUGA men's silver rings

A few channels, depending on where you are and whether you want to try a ring on before buying.

Online. Our international store is strugadesign.com — prices in USD, delivery across Bali in 1–3 days, worldwide shipping 7–14 days with tracking. Standard cart, card payments, and the usual checkout systems. Every order ships from our Bali workshop, cast and finished by hand under direct supervision.

On Bali — try on and walk out with it. Hedonist Store and Barefoot Aristocracy are two partner concept stores in Canggu and Ubud carrying part of our men's ring collection. Addresses and hours are on the Contact page. Useful if you're passing through Bali and want to feel the ring physically before buying — 18–22 g of silver sits on the finger very differently than it photographs. Our own Bali showroom opens in Q3 2026.

Made to order. Non-standard size, engraving, or reworking an existing shape — through Custom Order, 3–4 weeks. Matching men's wedding bands are a separate service, Dark Union, 4–6 weeks. A ring with a meteorite slice in your own size is also Custom Order — more in the piece on Seymchan meteorite jewelry.

FAQ — men's silver rings

What's the average weight of a men's silver ring?

In our catalog, men's rings average 12–18 g. Thin bands from the Blade family run 8–10 g, core Signature Asymmetric rings sit at 12–15 g, the heavy Brutalism pieces are 20–28 g, and a few architectural forms reach 30 g. For daily wear, 12–18 g is the sweet spot — enough mass to feel like an object on your hand, not so much that it gets in the way. If it's your first silver ring, start closer to 12 g; you'll adapt and can move to heavier forms later.

Can I wear a silver ring every day?

Yes — and that's the best regime for sterling 925. Daily wear builds an even patina: friction polishes the raised surfaces, the recesses darken, and after 2–3 months the ring settles into balance. Take it off in three situations: swimming pools (chlorine attacks the surface), beach and sea (salt accelerates tarnish), and the gym with heavy weights (mechanical deformation). Showers, dishes, ordinary water — fine. Sterling 925 is a working metal; it isn't afraid of daily life, only of aggressive chemistry and abrasives.

How is a men's ring different from a women's?

Mostly mass and proportions. Men's rings typically run 10–25 g, women's 4–10 g; band width is 6–12 mm for men, 2–6 mm for women. Inner diameter is usually 19–22 mm for men, 16–18 mm for women. But the line is fuzzy — women regularly buy our "men's" Brutalism rings because they like the architectural mass, and a slim Blade goes both ways. The men/women split is really about size and weight, not about form or aesthetic.

How do I care for a men's silver ring?

Don't use polishing paste or abrasives — that strips the patina, which is the whole point of Living Silver. If the ring has gone duller than you'd like, use a soft silver cloth on the raised surfaces only, no pressure, staying out of the recesses. Take it off at the pool, the beach, and the gym with weights. Store it dry. If you want to halt tarnish, a sealed pouch with an anti-tarnish strip works well. Once a year you can hand it to a jeweler for a light refresh if it has picked up deep scratches. More detail in our Bali silver guide.

Can I order a non-standard size?

Yes, through Custom Order. We do non-standard sizes from 14 to 25 (inner diameter), half-sizes included. Lead time is 3–5 weeks depending on the form and finishing complexity. Custom Order also covers engraving (inside or outside), setting a specific stone, adjusting band width or ring weight, and reworking an existing design to fit your hand. If you're between sizes, go up — sterling 925 settles slightly to the shape of the finger over time.

Is silver appropriate for a wedding band?

Yes, and for us it's the natural choice. Sterling 925 behaves differently from gold in a wedding band: it records the life you live together. After a year, a couple sees two different patina patterns on two rings — each partner has their own rhythm of wear, and the metal shows it. The Dark Union service produces paired wedding bands made to order, 3–6 weeks. You choose the level of oxidation, the profile width, engraving, and inserts. Silver is cheaper than gold, but in our logic it's more honest: it shows time rather than freezing the moment.

Is STRUGA silver or white gold? Why silver?

Only sterling 925 — no white gold options. Two reasons. First, material: silver is alive. It reacts to air, to skin, to wear; it changes. Rhodium-plated white gold looks identical at one year and at five — that's its promise, and it's the opposite of Living Silver. Second, economics: at the same mass, sterling 925 costs 6–8 times less than white gold, which lets us build massive architectural forms without losing the point. If you want white gold, go to the classical brands; we're doing something else.

Sources and further reading: